I’m excited to bring you today an excerpt from Bad Girl Gone by Temple Mathews today! It was released earlier in the week, and when I found out that Mathews had written DISNEY MOVIES, I knew I had to give this a feature on here. While the book and I didn’t exactly get along (I had quite a few raised eyebrows & you may find my review here), it does have an intriguing premise…and I mean, Disney writing. Here’s more about this book!
About the book:
Author Temple Matthews is already well versed in the world of screenwriting, with such children’s films under his belt as Disney’s Return to Neverland, The Little Mermaid 2: Return to the Sea, and Mickey’s Once Upon a Christmas. Matthews has now turned to a different kind of story telling with his young adult novel BAD GIRL GONE (St. Martin’s Griffin; August 8, 2017). With a spunky main character, this novel explores the aftermath of tragedy, and whether what we think about ourselves matches with how the world sees us because, as we all know, right and wrong is sometimes grey when thrown into the madness of high school.
Sixteen year-old Echo Stone awakens in a cold sweat in a dark room, having no idea where she is or how she got there. But she soon finds out she’s in Middle House, an orphanage filled with mysteriously troubled kids. There’s just one problem: she’s not an orphan. Her parents are very much alive.
She explains this to everyone, but no one will listen. After befriending a sympathetic (and handsome) boy, Echo is able to escape Middle House and rush home, only to discover it sealed off by crime scene tape and covered in the evidence of a terrible and violent crime. As Echo grapples with this world-shattering information, she spots her parents driving by and rushes to flag them down. Standing in the middle of street, waving her arms to get their attention, her parents’ car drives right through her. She was right. Her parents are alive—but she’s not.
She’s a ghost, just like all the other denizens of Middle House. Desperate to somehow get her life back and reconnect with her still-alive boyfriend, Echo embarks on a quest to solve her own murder. As the list of suspects grows, the quest evolves into a journey of self-discovery in which she learns she wasn’t quite the girl she thought she was. In a twist of fate, she’s presented with one last chance to reclaim her life and must make a decision which will either haunt her or bless her forever.
On the heels of the announcement of Iggy Azalea’s production company, Azalea and Azalea Street Productions have optioned rights to BAD GIRL GONE for the big screen. Already cinematic with its hauntings and mischief, this novel looks back on the decisions we make in high school, and if they were thrown into sharp light by tragic circumstances.
When I tried to remember exactly how I came to be lying in the cold black room, my mind couldn’t focus.
I could feel myself slowly climbing upward, clawing my way out of the clutches of a nightmare. This was usually a good feeling, because you knew you were just dreaming, and the nightmare was over. Except this time it wasn’t. My hands felt clammy. I gripped the sheets until I knew my knuckles must be white. Help me, I thought. Somebody please help me.
I had no idea where I was, and for a terrifying second I couldn’t even remember who I was. But then I remembered my name. Echo. Echo Stone. My real name is Eileen. When I was a toddler, I waddled around repeating everything my parents said and they called me “Echo,” and it just stuck.
Remembering my name and how I got it kick-started my brain. I knew who I was. I remembered that I was sixteen years old and lived in Kirkland, Washington, with my mom and dad. It was all coming back to me. Mom was a dentist and Dad taught middle school English. Good, I could remember parts of my life. But I was still in a dark, cold room and had no idea how I got there. I held back a scream, my chest tightening. Don’t lose it, Echo, keep it together, I told myself. Calm down, think good thoughts.
I pictured Andy, my boyfriend. Six feet tall, broad shoul- ders, blue eyes, and long golden-brown hair. He loved to feed me cookie bites and called me his rabbit. I called him Wolfie. Sometimes he got the hiccups for no reason at all and usually laughed them away. Thinking of Andy momentarily made me feel warm inside, even though the room was freezing.
Where was I? I was shivering and yet also bathed in sweat, my skin slick with it. I clutched for my trusty Saint Christo- pher necklace. But it wasn’t there. Mom gave it to me to protect me when I traveled. Would it protect me now? I would never have lost it. The chain must have broken. And then I had an ugly thought. What if someone had ripped it from my neck? I shuddered. Where are you, Andy? I need you!
I opened my eyes as wide as I could. It was pitch black. My pounding heart told me, This isn’t some nightmare—it’s real. I hugged myself and breathed deeply, trying to calm my nerves. My shoulders were tight. I rubbed the sheets beneath me. The ones at home in my bed were soft. These were stiff and coarse. I was somewhere completely and painfully foreign. In my head I was talking to myself in a rapid voice, my fear voice: What is this?—what is this?—what is this?
Someone nearby was crying. I had a knot in my stomach and my throat hurt, like I’d screamed for hours. My head hurt, too, and I guessed I must have fallen, or maybe something heavy fell on me. I explored my scalp, gently at first, then more bravely, moving my fingers, searching for a lump. I found nothing . . . no lump, no holes. My skull was intact, though my long auburn hair felt tangled and greasy. I inhaled through my nose, search- ing for familiar scents. Mom’s cinnamon rolls, Dad’s after- shave. But nothing smelled even vaguely familiar, and the odors that did find my nose were horrible. Smoke. Vinegar. Sulfur.
I reached for my bedside lamp—but my fingers touched something damp and stringy. Oh god. The knot in my stomach tightened and I yanked my hand back. I willed my eyes to ad- just to the dark, but as I blinked, strange pulsing figures leapt out at me. It must have been my mind playing tricks. Right?
I took five good, long breaths, sucking in through my nose and exhaling through my pursed lips, just like my grandma Tilly taught me years ago. But five breaths weren’t enough. So I took ten, and finally my heart rate slowed from a galloping panic to a steady, cautious thudding. Soon I was able to distin- guish shapes. Was that a girl in a bed next to mine? Her hair was impossibly thick and long, spilling down her back. Her sweaty hair. That’s what I must have reached out and touched. My heart returned to its punishing rhythm, a fist clenching and unclenching in my chest. The nearby crying stopped. But then it was replaced by something worse, a ripping sound, like bone being cut by a rusty saw. And then a gurgling . . . followed by a low, feral growling noise. Faraway cackling laughter. What the hell was going on?
I was terrified and breathing so loud I was afraid I’d wake up the sleeping girl. Something told me I should lie still and keep my mouth shut. Stupidly, I ignored it. My voice was raspy, my throat aching . . .
“Mom? Dad?” Nothing. “ANDY?”
The words sounded weak in the stony silence that followed. My ears strained for the comforting sound of my parents’ familiar footsteps—but I was met with more cruel noises drift- ing through the blackness.
I heard a faraway clock ticking and an odd whimpering, and then a cough. But it wasn’t Mom’s or Dad’s cough; it was the cough of a child—a girl, I think. I desperately wanted this to be a nightmare. So I closed my eyes and tried to float back to sleep. But the terrifying sounds continued: the soft, almost melodic crying; the rhythmic, persistent coughing; the howls and metal- lic noises; the rushing water. I couldn’t take it. I opened my eyes again.
An echo from the darkness. Distant. Haunting. Mocking.
“Daddy? Daddy? Daddy?”
I sensed something under my bed. The hair on my neck prickled. I imagined dangling my fingers over the side of the mattress, envisioned them being latched onto, bitten by some creature that would drag me down into its fetid pit. I held my breath and listened. There it was. Someone, or something, was breathing beneath me.
I slid to the edge of the bed and then slowly lowered my head, my irises widening. I peered into the shadows—and saw a pair of feral eyes peering back at me. Acid panic flooded my veins as I jerked back, thinking, Please don’t kill me. If you touch me, my boyfriend will hunt you down and beat the living shit out of you!
I heard a rustling sound, then footsteps. I saw the creature leap out from under my bed. Its eyes found me, then it scam- pered out of the room, on two legs I think, a flash of white. It looked human, but it could have been something else. What- ever it was, thank god it was running from me. Or wait! Maybe it was going to gather more of its kind and they’d come back for me in a pack. My skin crawled. Get out!
I couldn’t stay in this room. I had to get up and move. My bare feet hit the cold, wood plank floor. I took tentative steps into the shadows. A floorboard creaked beneath my feet and I froze. My eyes had adjusted to the darkness and I could make out shapes. Up ahead I saw a shallow pool of light. I moved toward it.
I walked slowly, taking tentative steps, my eyes darting back and forth. The hallway felt like a perfect place for an ambush, so I was alert, my muscles taut.
I passed a closed door on my right, another on my left. I caught a scent of smoke. I heard a splashing sound, as if some- one was taking a bath right above my head. I kept my gaze fixed on the pool of light that was spilling out from under a large door at the end of the hallway. As I drew closer, I could see that the door was built from thick oak planks and looked like it weighed a thousand pounds. On it hung a thick brass ring. On my right was a tall, old grandfather clock, ticking away like a metronome but with no hands to tell time with. It made me afraid and angry. What was I doing in a place with a clock with no hands?
I stepped closer to the thick door. My stomach tightened in fear. Something was terribly wrong. I was lost, adrift, not only in the wrong place, but I felt as though somehow I was the wrong me. I was jolted by a terrible thought. What if I never saw Andy again?
I raised my hand to grasp the knocker but stopped. Because I felt someone behind me.
“I wouldn’t do that if I was you,” said a voice, barely above a whisper.
I turned and saw a slight boy, thin as a reed with long, snowy hair, eating a red candy apple. The hair on the nape of my neck rose.
“Wow. You’re a pretty one,” he said.
I might have blushed. I’d never thought of myself as pretty. My nose is crooked, and ever since someone told me my eyes were too far apart, I’ve been convinced of it.
“Want a bite?” he asked, holding out the apple.
About the Author
|In addition to his screenwriting, TEMPLE MATTHEWS is the author of the YA trilogy The New Kid, The Rising: The New Kid Book Two, and The Sword of Armageddon: The New Kid Book Three. Writing as William Payton Mathews also wrote The Good Father. Mathews has written dozens of animated TV episodes and has worked for hire at every major studio in Hollywood.|